Incorporating Writing Stylist

In 2010 I began a blog site called The Writing Stylist. In 2012 I hardly posted to that site at all, so in 2013 I have decided to combine Writing Stylist and briantomlin.com into one site. All posts from The Writing Stylist have been transferred to this site, and have been reassigned to the categories found here.

The migration was quite simple: both sites were created in the WordPress format, and I found an article

How To: Migrate, Combine Two (or More) WordPress Blogs into One

 

that gave me step by step instructions. I took this step on the theory that if blogging was made simpler I would be more likely to blog regularly. This based on advice from promotion experts like Michael Hyatt and Erik Deckers and Kyle Lacy.

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Do you really have something to say?

The most basic tenet of writing is that you need something to write about. Think about it: how dreadful it feels when you have to write something or give a talk and you can’t think of anything to say. The result inevitably is suffering (yours ) and boredom (the audience’s).

This is important no matter what we are writing; nonfiction, fiction, drama, business writing, a letter, a tweet, a piece of promotional copy. Because it is so important, I find it helpful to review the basic guidelines of choosing a subject from time to time.

What makes a good subject for writing?

  • You truly understand the subject. It is familiar to you and can be related to your personal experience, observations, readings, or (depending on the type of writing) the limits of your own personal imagination.
  • The subject is limited in scope to fit time or space you have.
  • The subject should interest you, the writer, greatly. It should excite your imagination, bring forth a strong set of opinions  or emotions from you. If you don’t care, how will anyone else?
  • It should be something you can be enthusiastic about for the whole length of time the writing process will take. A thank you to your aunt requires far less stamina than a dissertation or War and Peace length novel.
  • The subject should be something that will interest your intended audience in some way.
  • It is not enough that what you write about is a good subject to be discussed, it should be the best thing for you to express yourself. Sometimes you find yourself having to write something on a topic you did not choose. In that case, find the angle or tiny speck of a spark to carry you through. If you do not, and don’t develop enthusiasm, the chances are great that the writing will not work.

 

 

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Make your sentences MOVE: no more sluggishness

Why is it that some people tell a story in an interesting, entertaining way while others do not? Natural gift, a particular drive to me amusing, lots of practice? There are a few simple ways to make a story more interesting:

  • Rapid movement. One key reason that varied sentences make a story better is that it enhances the sense of movement.
    • How many sentences are there? Writing that is longer than necessary drags the story down.
    • How many sentences begin with the subject? Lack of sentence variety is BORING.
    • How many times do you find the word “and” used? How many of the sentences begin with “And”? With “Then”?
  • Variety of and Careful Choice of Connective Words
    • Find ways of moving a story forward with your connective words. Depending on the length of your story and the tone and genre, you will probably find that you need a variety of words and phrases to move things along. How could these words help or hurt your story?

and

very soon

after a while

then

in a moment

presently

finally

as soon as

meanwhile

after

though

however

but

since

yet

still

  • Consider participial phrases. “After crashing through,” “about this time,” as I approached” are kinds of phrases that can convey movement. You can place less important facts and bits of exposition into such phrases, effective particularly at the beginning of the sentence.

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Developing Your Senses

Modern life seems to remove us fro using our senses; for many of us they have become dull and one-sided. What do we really see around us? A good meditation for writers at the beginning of a new year is to think about the sharpness or dullness of your own sensory awareness.

Responsive Sight:

  • Are you sensitive to the form or  structure of objects?
  • Do you notice quickly varying shades of color?
  • Do you have a vocabulary that can express those differences?
  • Do you observe the “attitudes” of people, animals, birds?
  • Do you notice the play of light and shade on objects?
  • Do you notice the expressions on the faces you see around you?
“They walked back through the miserable muddy streets and among the porr mean shops, and were jostled by the crowds of dirty hucksters.” Charles Dickens, Little Dorritt

Responsive Hearing:

  • Do  you take the time to get pleasure from music?
  • Can you distinguish the tones of several musical instruments?
  • Can you locate a note in a musical scale?
  • Do you notice people’s voices?
  • Can you distinguish bird calls?
  • Do the footsteps of a person you cannot see suggest some of his or her physical characteristics?
  • When you listen to the jumble of city noise, can you separate them and name most of them?
“The soft complaining flute
In dying notes discovers
the Woes of hopeless lovers.”
John Dryden, ” A Song for St. Cecilia’s Day”

Responsive Smelling:

  • Are you able to identify strong odors, both pleasant and unpleasant?
  • If you were blindfolded, could you name various flowers from their smell alone?
  • Does you sense of smell add anything to your appreciation of food?
“with their honeyed heaviness, their lush trembling,
their eagerness
to be wild and perfect for a moment, before they are
nothing, forever?”  Mary Oliver, “Peonies”

Responsive Taste Sense:

  • Do you enjoy the food you eat for its flavor and texture, or do you eat mechanically to satisfy hunger?
  • Can you recall sharply at this moment the taste of several kinds of meat, fish, vegetables and fruits?

Responsive Tactile Sense:

  • Do you have finger ends that are sensitive to the feel of textiles, silks, wools, cottons, linens?
  • Are you sensitive to the positive qualities of  the sensations of heat and cold?
  • Do you remember how your muscles feel when engaging in various physical activities: playing sports, dancing, washing dishes, standing up riding a bus or subway train?

“Kindles the gummy bark of fir or pine,

And sends a comfortable heat from afar.”

 Milton, Paradise Lost, Boox XL 1,076

If your sense are not finely trained, it is difficult to feel what others have felt, or  at least to express that feeling so others can understand it. If you had never really listened to someone playing the flute, could you understand the metaphor Dryden was using? If you have heard a flute before and been moved by it, reading Dryden’s poem awakens that feeling inside you again. The quickest way to larn to enjoy good description, and more to the point ot write good description, is to enlarge the boundaries of your sensory experiences.

Do not go on continually reading the same kinds of books, playing the same games, listening to the same music, walking or driving down the same streets, seeing the same people, the same scenery. GFiving yourself a change will help you to see your own life with more awareness.

A very old story about William Shakespeare says that when he was young he used to take walks with his mother, and she was in the habit of pointing out to him all the beautiful details of the scenery around them. Whether this story is true about how Shakespeare developed his visualizing power, we could adapt this strategy. When you go somewhere new, try to go with someone else and point out all the unfamiliar things you notice to one one another.

 

 

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Visionary Principles

Almost fifteen years of professional experience as a self-employed person has helped me identify (often the hard way) the traits most important in business and in life. I aspire to live these principles every day in every professional situation.

  • Service. I am never happier at work than when I can help others be more expressive and productive.
  • Teaching. I have been given so much in my life, I want to share my experience and knowledge with others so they can grow farther, faster and smoother than I have.
  • Reliability. The people we are most likely to turn to, trust and build relationships with are the ones who are dependable, who do what they say they will, and can be counted on to invest themselves in the purpose of the moment.
  • Creativity. I have found that creative solutions come when you keep your eyes and mind open. The hardest part is not letting preconceived ideas, prejudices and conventional methods cloud the actual situation unfolding right in front of you.
  • Meaning. No enterprise is completely successful if it does not connect to some deeper meaning or has some deeper purpose behind it.
  • Authority. Today everyone wants to proclaim themselves an expert of something and have throngs of followers. Actually achieving this takes discipline and constant gathering of knowledge and studying of inspirational sources. My own authority lies in helping others to see the true reach of their expertise.

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